If you are looking for a great classic film to watch now, and especially one with an American setting, then check out this list curated by the Mediaion review team.
Sunset Boulevard. Billy Wilder, 1950. Former silent star Gloria Swanson is magnificent as a former silent star with a tenuous grip on reality. As her young screenwriter lover, William Holden’s fate is known from the opening scene — he lies dead in a swimming pool.
City Lights. Charlie Chaplin, 1931. Charlie Chaplin mixes heart-tugging sentiment with wild hilarity in his best film. He plays a tramp, of course, who wins the heart of a blind woman. The boxing scene is one of the very funniest ever committed to film.
The Godfather, Part II. Francis Ford Coppola, 1974. The prequel/sequel to Copppola’s 1972 masterpiece shows a crime family’s beginning and its maturity into a murderous business. Al Pacino’s ice-cold, utter heartlessness makes him one of the cinema’s most nuanced villains.
Gone with the Wind. Victor Fleming, 1939. The grandest of all grand epics features unforgettable characters making their way through an unforgettable time. Vivian Leigh and Clark Gable are, well, unforgettable, as the passionate lovers whose intransigent personalities draw them together and pull them apart.
All About Eve. Joseph L. Mankiewicz, 1950. This clear-eyed and deliciously knowing look at actors and the theater boasts what is arguably the best (and most quotable) script every written. Bette Davis’ character of Margo Channing is one of the crowning glories of film.
North by Northwest. Alfred Hitchcock, 1959. This is Hitchcock at perhaps his most Hitchcockian, mixing terrific humor with equally terrific suspense, plus an unusually engaging love story between Cary Grant and Eva Marie Saint.
The General. Clyde Bruckman, Buster Keaton, 1926. No other film provokes such giddy laughter from the first silent frame to the last, with nearly every gag now considered a classic. And it’s even based on a true story, sort of.
Singin’ in the Rain. Gene Kelly, Stanley Donan, 1952. It’s everything a musical should be, and so much more. Great songs, great dances, great jokes, a surprisingly fascinating look at the transition from silent films to sound, plus Jean Hagen’s truly inimitable (and put-on) voice.
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